A Trumpet Blast for the King’s Lynn Festival

An account of a concert at King’s Lynn Corn Exchange featuring Crispian Steele-Perkins, some links and some infographics.

INTRODUCTION

Having put up three new posts about my experiences at Marxism 2015 today I decided a variation was called for, and fortunately, especially given the links and infographics I also intend to share I have the perfect change of tempo ready…

AN EVENING OF TWO HALVES

King’s Lynn’s historic corn exchange (see pics below) was last night the scene for a classical concert featuring that master of trumpet playing, Crispian Steele-Perkins.

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The first half of the evening, with Steele-Perkins the centre of attention was magnificent. I have only a few pics because there is a no photographs during the performance rule which I obeyed to the letter…

The auditorium
The auditorium
A close up of the stage.
A close up of the stage.

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The tools of Steele-Perkins' trade - a coach horn (the same length of brass as an army bugle but dead straight rather than curved), a late 18th century trumpet, and smallest a 19th century trumpet.
The tools of Steele-Perkins’ trade – a coach horn (the same length of brass as an army bugle but dead straight rather than curved), a late 18th century trumpet, and smallest a 19th century trumpet.

Although I enjoyed the story behind the coach horn, and hearing said instrument played in the Mozart piece, the highlight of the entire event for me was the Haydn Trumpet Concerto, one of the greatest pieces ever composed for the instrument, and played quite magnificently.

In the second half there was no Steele-Perkins, and the quality was much less – there was one piece where one could not tell if it had been played well or badly so undistinguished was it.

LINKS

There are so many links to be shared that I have split them into subsections, starting with…

PETITIONS

The first petition I am sharing is the one calling for statistics on benefit-related deaths to be revealed. I have two links connected with this:

1)The Petition

2)A Huffington Post article connected to the above.

My second petition is the one on change.org calling for automatic Group B Strep tests to reduce deaths of newborn babies.

My next offering is this from those who want to keep the National Gallery from being privatised.

Last and in the chief place in this subsection is the petition calling for clemency for William Underwood.

A SOUPCON OF SCIENCE

I shall lead into this little section with a piece showing just how low SeaWorld are prepared to stoop in their battle against those who dare oppose cruelty to Orcas.

Phuketbirdwatching introduced me a species of bird I had ot previously seen in this, their latest offering.

My next link is to a piece about the discovery of a new particle, the pentaquark.

Faraday’s Candle can be relied on for good stuff, and their take on Nasa’s recent Pluto fly-by is no exception.

POLITICAL PIECES

First of all, a piece celebrating an event of 100 years ago.

My next piece, on dealing with London’s polluted air, is a must-read.

Huffington Post are back, with this piece which viciously exposes the misogynism and ignorance of UKIP’s Paul Nuttall.

My next two links are both to pieces from Socialist Worker:

1)On the home front, this piece about tube workers.

2)This about Iran.

Finally, chosen because it leads into the next section, this link to what will be my first infographic.

INFOGRAPHICS

EU Principles Mhairi Black quote

It is not often that the S*n apologises, so we should make the most of it when ti does!
It is not often that the S*n apologises, so we should make the most of it when ti does!

AFTERWORD

I hope that you have enjoyed this post and will be encouraged to share it!

Marxism 2015 3: Accommodation and Day Two

A personal account of day 2 of Marxism 2015.

INTRODUCTION

Welcome to this, my third post about Marxism 2015, the five-day political festival hosted by the Socialist Workers Party at the Institute of Education in London. I hope that you will enjoy this post and be inspired to share it.

ACCOMMODATION

I was booked to stay with somebody in Walthamstow, and although their house is not close to a tube station, it would nor amlly have been easy to get there. However, the tube strike meant that we had to go by bus to Clapton and get a London Overground service to Wood Street. In the heavy traffic generated by the tube strike this took considerable time. Getting in the following morning was easier, but I failed to allow enough time (a very rare occurrence) and arrived a little late for the first meeting…

AT THE EVENT

Here is a photo of my timetable for the day in question, showing the meetings I decided to attend…

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All of these meetings were magnificent, but I am going to concentrate for photos on the first two, and for most of my text on the third.

Here then are some photos from the first meeting, and fascinating stuff it was too, with a convincing demonstration of egalitarianism in early human history…

Anatolia.
Anatolia.
Catalhoyuk
Catalhoyuk
Cayonu
Cayonu

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These reconstructions are wrong in one respect - the houses had neither windows nor doors, being approached through the roof, with most of daily life taking place on said rooftops (there being no roads).
These reconstructions are wrong in one respect – the houses had neither windows nor doors, being approached through the roof, with most of daily life taking place on said rooftops (there being no roads).

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A mother goddess from these ancient remains.
A mother goddess from these ancient remains.
A 19th century South American village on similar lines.
A 19th century South American village on similar lines.

For the second meeting I attended that day on Mental Health, photos really can tell most of the story…

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Another connection to where I grew up - Jeremy from Streatham talking about the Mental Health Charter.
Another connection to where I grew up – Jeremy from Streatham talking about the Mental Health Charter.
Jo from London tells of family memories of living near a mental hospital (When we first moved to London there was exactly such an institution within a few minutes walk of our home)
Jo from London tells of family memories of living near a mental hospital (When we first moved to London there was exactly such an institution within a few minutes walk of our home)

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This picture adorns one wall of the Elvin Hall where the meeting took place.
This picture adorns one wall of the Elvin Hall where the meeting took place.

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Susan gives her opening talk on Mental Illness: A Disorder of Capitalism.
Susan gives her opening talk on Mental Illness: A Disorder of Capitalism.
The feature image for this post.
The feature image for this post.

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A GERMAN-CENTRIC TAKE ON CLASSICAL MUSIC

Although I thoroughly enjoyed this meeting I was a little disappointed that it was so dominated by German and Austrian composers, with only brief mentions of the Italians (my favourites). Before moving any further I must pay tribute to Siobhan from East London who stepped in at the twelfth hour when the person who should have been chairing the meeting could not be located, and did an excellent job…

Siobhan from East London who stepped in as chair at the twelfth hour.
Siobhan from East London who stepped in as chair at the twelfth hour.

Although as I have said I would have preferred more credit to be given the Italian composers, I did enjoy this meeting, and overall Sabby Sagall acquitted himself well in slightly testing circumstances…

Sabby Sagall speaking about Classical Music.
Sabby Sagall speaking about Classical Music.

I will finish this post with a few pictures from later in the day…

Mark L Thomas addresses a packed house on "Are the Greens a Left Alternative?"
Mark L Thomas addresses a packed house on “Are the Greens a Left Alternative?”
Shahrar Ali, leading Green, offers constructive comment from the floor.
Shahrar Ali, leading Green, offers constructive comment from the floor.
Sarah Creagh introduces "Rosa Luxemburg and the German Revolution"
Sarah Creagh introduces “Rosa Luxemburg and the German Revolution”
A moment of whimsy -a close up shot of on of Sarah Creagh's earrings.
A moment of whimsy -a close up shot of on of Sarah Creagh’s earrings.
Blackhorse Road Station, from where a 123 bus gets to the end of the road on which I was staying, by night (definitely the best time to see it!)
Blackhorse Road Station, from where a 123 bus gets to the end of the road on which I was staying, by night (definitely the best time to see it!)

Special Post: Highgate

The latest post in my series “London Station by Station”, this features some London Underground history, a musical interlude and a soupcon of politics.

INTRODUCTION

Welcome to the latest installment in my series “London Station by Station“. I hope that you will enjoy this post and will be encouraged to share it.

OF MUSIC AND MARX

A CURIOUS HISTORY

One stop south of Highgate is Archway, which opened in 1907 and was for some time the northern terminus of the line. One stop to the north is East Finchley, which was first served by Northern line trains in 1939, having previously been part of the LNER. Highgate, our subject, only opened in 1941 – something of an afterthought.

TO THE UNKNOWN GODDESS

This title comes from a CD case, and concerns a story that began almost 400 years ago and that touches on Highgate…

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In 1619 a servant girl the household of the dramatist, librettist and poet Giulio Strozzi gave birth to an illegitimate child. The child, Barbara Strozzi, grew up in the household, becoming Giulio’s “figliuola elettiva” (elective daughter). Encouraged by Giulio she developed considerable musical talents and became known in her own lifetime as a composer and performer.

She is not so well known these days, but it was at Highgate that I first heard her music. The performance featured the same four people as the CD (Catherine Bott, Paula Chateauneuf, Timothy Roberts and Frances Kelly), which I bought that very evening.

A FAMOUS GRAVE

To be fair, quite a few well known people are buried in Highgate Cemetery, but I am confining myself to one. Karl Marx was buried there in 1883, and Marxism 2015, a five-day political event begins in London tomorrow afternoon. I will be there and I intend to put up regular blog posts and tweet about being at the event – watch this space.

TWO FINAL IMAGES

I finish this post as usual with two map pictures…

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The full map, spread out.
The full map, spread out.

Special Post: Barons Court

INTRODUCTION

This is the latest post in a series I have been running giving a station by station guide to London. Today’s post will feature a measure of London Underground history, a bit of tennis and some music…

BARONS COURT – A MEETING OF TUBE AND SURFACE

HISTORY

Barons Court opened in 1906, as part of the original Piccadilly line section from Finsbury Park to Hammersmith. District line trains had been travelling the route since 1874 but there was no station at Barons Court before the Piccadilly line opened. The Piccadilly when it opened was either a compromise involving elements of three different plans or if you prefer a bodge job trying to combine elements of three different plans. Desmond F Croome’s “The Piccadilly Line: An Illustrated History” gives full details. Of relevance to our post, one of the roles that was subsumed into the making of the Piccadilly line was that of ‘deep level district’, easing congestion on the older subsurface level route. Thus, from South Kensington to Earls Court the Piccadilly follows the district, and from Barons Court, where the Piccadilly surfaces, it shares a set of four tracks with the district as far as Acton Town, and on the Heathrow branch as far as Hounslow West and the whole of the Uxbridge branch the platforms are at the compromise height used for platforms shared by ‘tube’ and ‘surface’ stock, as the district used to run these routes as well. A couple of pics between subsections…

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QUEENS

Barons Court is the home of the Queens Club, host of the best known of all the Wimbledon warm up tournaments. For most of the year tennis is played on a variety of surface other than grass, and Queens gives men (it has no women’s section) a chance to get to used to both grass and London before the big one,

THE MUSICAL CONNECTION

Barons Court’s musical connection comes by way of St Pauls Girls School, just across the A4 from the station. For some years the Director of Music at that establishment was Gustav Holst, famous both as a composer and for collecting folk stories to serve as an inspiration for his composition. His best known work today is The Planets, which focuses on the attributes of the gods whose names the planets bear (yes I would wish for the focus to be astronomical rather than astrological/ mythological – but it is still excellent music).

CONCLUDING REMARKS AND PICTURE

I hope you have enjoyed this post and that you will be encouraged to share it. My final picture is of a Piccadilly line promotional poster…

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A Tale of Two Rivers

It was the best of days, it was the worst of days: as so often the King’s Lynn weather could not quite decide what it was up to.

The two rivers of my title are the Great Ouse and the Nar, both of which I walked along some of yesterday. Rumours the spring is  upon us may not be so far wide of the mark – I saw a privately owned boat at the Jetty on the Great Ouse in King’s Lynn…

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A brief diversion to check in on my Aunt’s place in her absence, revealed that even the most familiar of surroundings can spring surprises – this cannon ball in the entrance way to Hampton Court that I had not previously noted…

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“Cormorant Platform” revealed no cormorants, but some other sea birds…

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I continued along the riverbank further than usual, passing the new road bridge (before this was built the river could be crossed either by ferry or by taking a 12 mile detour via Wiggenhall St Germans, and paying a punitive toll to the Barons of Rising – the ruling class were even more open about fleecing us in those days!) finding more stuff to photograph…

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I spotted a position from which I could take “townscape” photos of King’s Lynn looking back down the river and bagged a couple…

Townscape 1 - can you ID all the landmarks in there?
Townscape 1 – can you ID all the landmarks in there?
Townscape 2 - with the zoom increased.
Townscape 2 – with the zoom increased.

I walked on past Palm Paper (first photograph of next series) and then just before leaving the Great Ouse (and far further inland than I would expect) I finally spotted a pair of cormorants…

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The small section of walking between leaving the Great Ouse and joining the Nar produced only a few photos…

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An unusual sight - a British roundabout and no traffic!
An unusual sight – a British roundabout and no traffic!
A ruin just on the edge of South Lynn
A ruin just on the edge of South Lynn
The South Lynn logo.
The South Lynn logo.

The Nar Valley way runs almost interrupted (save for the bit where it intersects with the Nar Valley Park development) from King’s Lynn to Dereham, so once I had hit the Nar I could follow it to the South Gate, and which point I diverged to head home through the parkland…

A distant view of the Nar Valley Park development.
A distant view of the Nar Valley Park development.

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More of the Nar Valley Park development
More of the Nar Valley Park development
A first view of the South Gate
A first view of the South Gate

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A tributary of a tributary (the Nar ultimately flows into the Ouse at what I call Cormorant Platform)
A tributary of a tributary (the Nar ultimately flows into the Ouse at what I call Cormorant Platform)

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A moorhen in the urban section of the Nar
A moorhen in the urban section of the Nar

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Almost the last pic, and the only one of the day of Britain's soon to be national bird!
Almost the last pic, and the only one of the day of Britain’s soon to be national bird!
Work proceeds apace at the bus station.
Work proceeds apace at the bus station.

I had a go as a kind of tribute to this blog’s latest follower, Charlotte Hoather, at creating a ‘playlist’ to fit my themes:

The Birds by Ottorino Respighi, The Lark Ascending by Ralph Vaughan Williams,The First Cuckoo in Spring by Frederick Delius,The Banks of Green Willow by George Butterworth, Symphony no 6, The Pastoral by Ludwig Van Beethoven. As well as these there were naturally a couple of famous ‘river’ pieces the sprang instantly to mind, Vltava (Bedrich Smetana) and the Blue Danube (Johann Strauss II) – The Great Ouse when the sun is shining is bluer than the Danube ever is (and I have seen both).