I am branch secretary of NAS West Norfolk and #actuallyautistic (diagnosed 10 years ago at the comparatively advanced age of 31). I am a keen photographer, so that most of my own posts contain photos. I am a keen cricket fan and often write about that subject. I also focus a lot on politics and on nature.
An account of the opening salvos in the Women’s Ashes and some photographs.
Unlike the original Ashes, which have been fought for since 1882, the Women’s Ashes is contested across multiple formats. The current scoring system awards two points for a win in a limited overs match, 1 for a no-result and 0 for a defeat, while the sole test match is worth four points.
A Classic Match
The first of three ODIs that the women will be contesting took place at the Allan Border Field in Brisbane. Australia won the toss and put England in to bat. Several England players got starts but none managed to build a really substantial score, Lauren Winfield leading the way with 48. A total of 228 off 50 overs did not look like it was good enough, and in the end it wasn’t.
Eng;land bowled better than they had batted, and at 87-4 Australia were looking distinctly shaky. Alex Hartley failed to hold a return catch offered by veteran Alex Blackwell when the latter had 35 to her name, and Australia were behind the rate, Talia McGrath having occupied 26 balls for a score of 7. This missed chance and some aggression from Ash Gardner (27 off 18) made the difference, Australia getting home in the final over with Blackwell unbeaten on 67.
A highlight of this match was the preponderance of quality spin bowling on show – in Gardner, Amanda-Jade Wellington and Jess Jonassen Australia had three high-class practitioners, while Hartley and the experienced Laura Marsh both bowled well for England.
ON THE DISTINCTION BETWEEN ‘WOMEN’S ASHES’ AND ‘ASHES’
This applies across the board, and not just to cricket between England and Australia, but this seems a suitable place to mention this. I see the distinction between these categories as that between a restricted (“Women’s”) and an open category – if a woman is able to play alongside the men she should have the right to do so – the existence of Women only teams is an acknowledgement that few women could because the men are generally larger and stronger. Similarly if a disabled athlete happens to be performing comparably to their able-bodied counterparts they should be able to compete alongside them.
In terms of cricket I would expect that a woman who earned selection for ‘The Ashes’ as opposed ‘The Women’s Ashes’ would not be a specialist fast-bowler, but I could see spinners, wicket-keepers or batters earning selection.
An introdfuction to next week’s James and Sons’ auctions.
James and Sons’ October auctions will be taking place next week. A combination of factors, including a colleague being signed off sick for three months, left us somewhat behind schedule, but the printed catalogues should be arriving either today or early tomorrow, and the online catalogue is ready for viewing. The rest of this post details what will be going under the hammer on each day.
MONDAY 23 OCTOBER, SHOP
This auction kicks of with 250 lots of military themed postcards, then 150 lots of ephemera and finishes with 100 lots of cigarette/ Trade cards. Here are a few of the lots:
TUESDAY OCTOBER 24 – SHOP
Postal History, Stamps, Coins and Banknotes. This sale starts at lot 601 and ends at lot 1100.
WEDNESDAY OCTOBER 25TH – FAKENHAM RACECOURSE
This auction features lots 1201-1600. These lots include Jewellery, toys, militaria and other objects of interest.
Producing a photographic wall calendar has become a tradition for this blog, and courtesy of a magnificent offer at Vistaprint (25 calendars plus postage for £129) this year’s are now on order (eta with me October 25th). The rest of this post gives you a preview.
Most of the pictures for this calendar come from my Scottish holiday, so they do no relate to particular months. There are one or two exceptions as you will see.
The latest addition to my “Trees in Transistion” series.
Later on today I hope to have time to put up a few more posts, but for the moment just to keep things coming here is the latest installment in my “Trees in Transistion” series.
THE TREES’ TALE
The heading for this section is a nod to Richard Dawkins’ “The Ancestor’s Tale”. These pictures do feature some trees not previously featured, and to borrow from another famous writer I hope that “age doth not wither nor custom stale my infinite variety”…